Credit: Genesis
Genre: French house
In short: "grimy Justice house with a dreamy pop injection"
Rating: 80
Cohesiveness: 77
Track quality: 73
Tags:
Beginner-friendly? yeah!
Justice stand tall and aim their French-house-poisoned dart high, flying it straight and true into the very heart of modern pop.
One of the biggest French house outfits in the modern electronic landscape, Justice have always been known for their unabashedly grimy take on their club-influenced genre. But for "Hyperdrama", they finally turn to face pop music, and decide that they can do better. And then they did. They did do better. By quite a margin. "Hyperdrama" is a brilliant fusion of funk instrumentation, dreamy pop vocals, and Justice's signature take on French house. Filled with infectious lyrical hooks — and production hooks, for that matter, in some addictive leads and synthwork — "Hyperdrama" is memorable by any standard, hosting an array of earworm vocals and earworm house production, whether that be in the vocal-driven cuts or the instrumental ones. Both sides of the coin are equally good from Justice, and they manage to keep a 50 minute tracklist engaging enough to allow practically every single track to have its say in the grand scheme of the project, from the intensely industrial "Generator" to the swaggering sax of "Moonlight Rendez-vous" to the floaty vocal of "Afterimage" — how could I forget the vocals? Tame Impala's features bring his trademark aloofness to the first half of this record for two of the most prominent tracks of the record, but it's difficult to give him all the credit in that regard, especially after all the other vocal features — including acts like The Flints or Connan Mockasin — manage to match or otherwise supplement the tracklist as much as he does. It's an all-round very strong performance from every element Justice employs, and they themselves are no slouches either. Strong basslines and compelling house beatwork over some bright synth runs are what Justice have come to be known and loved for, but even with their grimier edge taken off "Hyperdrama" to make way for warmer, more emotive production, Justice keep the production high-quality.
I find it very difficult to find any actual faults with this record. Perhaps Justice played it a little safe — though it's hard to make that claim with tracks like "Explorer" or "Generator" thrown into the mix — or perhaps it's not quite engaging enough — though, again, hard to make that claim — but "Hyperdrama" is by every metric a great record.
Name | Comments | Superlative |
---|---|---|
Neverender | Tame Impala's dreamy vocal takes the spotlight and works very well over warm production from Justice | Catchy |
Generator | French house with an industrial atmosphere, pretty grimy and with a solid lead and spacious atmosphere | Intense |
Afterimage | Floaty vocals, though quite repetitive, in front of some neat synthwork and simplistic house production | Melodic |
One Night/All Night | Once again, love Tame Impala's dreamy vocals, and, once again, Justice's French house works as a fantastic backing | Catchy |
Dear Alan | Funky production and dynamic ideas alongside a couple of neat synth lines — drags on a bit, though | Standout |
Incognito | Love the lead sound on this one, complemented by driving, dynamic, and thoroughly engaging production | Standout |
Mannequin Love | Airy vocal that toys with the production wonderfully, with a catchy vocal hook and a couple of great synth/basslines | Catchy |
Moonlight Rendez-vous | Slow and atmospheric, with a swanky saxophone solo — a little shorter but it does its job well | Atmospheric |
Explorer | Clean sound design and pulsating elements, with the second movement having an intimidating spoken word sample and a vocal | Standout |
Muscle Memory | Intruiging sound design and progression, but it doesn't quite do enough at this stage in the tracklist | |
Harpy dream | Lovely synth line, only a 0:28 interlude but it does a great job at, well, being a good interlude | Structural |
Saturnine | Funky guitar backing and a lovely set of vocals with a lot of power in the production — very addictive | Upbeat |
The End | Clean bassline and low production that reinforces a great vocal (and matching lyricism) nicely | Standout |