Credit: VISION
Genre: Drum n bass
In short: "a mature way to end a legendary project"
Rating: 75
Cohesiveness: 50
Track quality: 74
Tags:
Beginner-friendly? the liquid cuts, yeah, the heavier ones, no
One final album. One final stand, one last dance, before the light goes out and the Noisia project completes its 20-year dominance over the music industry.
After their farewell tour was messed with by the COVID pandemic, the Dutch trio decided that releasing a final album would perhaps be a more fitting sendoff - it would perhaps be a good way to say goodbye to their label, their artist friends, the scene they've helped model. So here we are. "Closer". The final album from arguably the most influential outfit in electronic music ever, arguably one of the most influential outfits in any scene this side of the 2000s. Between their other albums, from their debut "Split The Atom" - a bold call to revolution that went on to become a producer's Bible even to this day - to their sophomore studio LP "Outer Edges" - one of the most creative drum n bass projects to grace the scene, revered by all - and even to their Foreign Beggars collaboration that led to their legendary grime project "I Am Legion", Noisia have done nothing if not reshape the halls of music in its entirety, with their mixing techniques and hyper-detailed drums being used even in the neighbouring worlds of hip-hop and pop. It's no surprise then, when looking retrospectively at this mammoth catalogue of revolution, that "Closer" proves to be Noisia's weakest. But I suppose that's for the best, so as to not detract from their previous records. No, this record does not want to be a grand, melodramatic finisher, it doesn't want to break any more boundaries. Where their previous work was a rally car that thundered over mountaintops and kicked up the dust of sonic history, "Closer" is a drive into the endless horizon. This is essentially a megacollab LP with all their friends and mentees from their label VISION, but it's still got that sound design flair from "Split The Atom", and those mature atmospheres from "Outer Edges". There are less standout tracks, sure, there are less moments that make your hair stand on end and your heart stiff with anticipation, but there is something fitting to be said about the control Noisia exhibit over all 20 tracks - a control they've done a thousand times, like an operator knowing he works his last shift. And so, yes, whilst I do think this is Noisia's weakest project, I do not mean to degrade the magnitude of this sendoff in any manner.
What else is there to say? Every track on this album is still infused with the quality we revere Noisia for even today, working alongside the distinct styles of their collaborators - from Skrillex to The Upbeats, Camo & Krooked to IMANU, Former to Black Sun Empire - to continue bringing new sounds from those well-respected in the underground to light. "Closer" is not another gamechanger or jawdropper from the Dutch trio, but it's a fitting resolution.
Name | Comments | Superlative |
---|---|---|
Three (Intro) | Pretty cool atmospheric intro - I mean, I really don't have a lot to say about this one other than that | Structural |
Nova | I can smell the two styles blending really well from here, with an emptier mix and a juddering synth lead | Intense |
Shibuya Pet Store | A fun lead, the sound design intricacies are intermittent but well-done, though the track drags on | Fun |
Shift | Neat drum n bass tune that opens up in the second half a lot, wish it didn't feel as restrained as it does though | Intense |
Horizon | Really intricate sound design and some trademark Skrillex sampling, with a nice muted kick - a bit repetitive, but super clean | Atmospheric |
Cleansing | I've said it for the previous tracks too, but this sound design is otherworldy, especially with the super clean drums and basslines | Standout |
Foundations | Got a bit of a groove to the rhythm but it isn't quite complemented by the jarring synth lead | Intense |
Scrapped | Wild track in all aspects - sound design, rhythm, mixing - and it delivers some movements and drops I cannot put into words | Standout |
Shutters | A more digital feel to the sound design, with stabbing melodies taking up its shorter runtime | Melodic |
Halcyon | I do like the atmosphere here, it drags on a bit but the lead is simple, the bassline is interesting, and there's a couple of nifty movements thrown in | Atmospheric |
Wordless | Well-produced liquid drum n bass tune, has a nice atmosphere but unfortunately doesn't really go anywhere | Atmospheric |
Told You | Fun, miniature leads and some good drum flow fills nicely the extremely short runtime of this track | Melodic |
Dzjengis | Metallic, precise sound design and well-thought-out atmospheres that end up being high-quality yet too repetitive | Standout |
Pleasure Model | Creative, unique, meticulous, grand, intense - completely blows everything I thought I knew about music out of the water | Standout |
Deep Down | Fast-paced and almost tribal in its sound design, a little repetitive but a sharp and intense cut | Intense |
Simplon | Stuttery, gritty DnB that hits super hard, mixed in with some neat sampling and constant dynamicism | Intense |
Caps Lock | Deep and dark neurofunk with a prominent lead and some absolutely incredible bassline work | Dark |
Supersonic (VIP) | Doesn't really change much about the original, transforms the second drop to full DnB and adds some bassline work - still a solid VIP for a strong original | Standout |
The Hole Pt. 1 | Really weird pseudo-DnB track that gets its unsettling, hypnotic tint from being in the offbeat 17/8 time signature | Switchup |
Closer | That's it, ladies and gentlemen. The end of Noisia. A final atmospheric track to finish, and it's over. | Structural |