Mosaik - Camo & Krooked (Cover art)

Mosaik - Camo & Krooked

Genre: Liquid drum n bass

In short: "grand, spacious liquid DnB that drags on but has nice atmospheres"

Rating: 70

Cohesiveness: 73

Track quality: 66

Tags: chill, atmospheric, melodic

Beginner-friendly? yeah i'd say so

In a genre like liquid drum n bass, with so much potential splayed at their fingertips, Camo & Krooked put out a fairly serviceable record.

The question is — did they capitalize on it? Well; "Mosaik" is a very solid record, spacious and atmospheric and rather grand in its execution. Not quite relaxed — such is the nature of drum n bass — but still fairly chill, "Mosaik" hefts a mammoth 17-track-long tracklist and progresses through it very nicely. Camo & Krooked have all the sound design they need to bring this project to life, from strong DnB beats to plenty of polished vocal performances, but it's the synthwork that proves to be the biggest talking point for the entire hour-long duration. It's the same synth each time, but boy is it a good one, and Camo & Krooked sure know how to use it, with the expertise that comes with a decade of experience in the game. Taking the energy off for "Mosaik" was a good choice, allowing the tracklist to shine through atmosphere rather than intensity — a welcome factor, one that ultimately ends up being one of the album's main selling points, and throwing in a couple of neat transitions certainly help the DnB duo's case. But whilst the mellow tracklist gives the record a consistent vibe — and still a good one, at that — Camo & Krooked don't quite do enough to keep it engaging. There are some genuinely cool atmospheres here, and some fairly creative ideas like "Broken Pieces" or "Witchdoctor", but the duo run out of steam quite quickly. Unable to generate enough interesting production differences or switchups, "Mosaik" begins to feel like the same song for a large portion of its latter half, both structurally and sonically, and oftentimes it ends up being lamentably forgettable. And so, to answer my previous question — I'd say Camo & Krooked have a lot more room to capitalize than what "Mosaik" achieves.

Make no mistake, "Mosaik" isn't a bad album, just a slightly boring one. I find myself often impressed by much of Camo & Krooked's synthwork and beatwork, but equally as much, I find myself zoning out. And so it does hurt to call "Mosaik" just 'serviceable', but ultimately that's what it comes down to for me; a solid set of tunes with a nice spacious atmosphere and sound design, but tunes which fail to explore further than the bounds the tracklist seems to impose.


Name Comments Superlative
Broken Pieces Spacious atmosphere and grand synths complement uplifing vocals and big fluttery drops Standout
Ember Clean synthwork on this one, great liquidy atmosphere, tires itself out a bit but has some great moments Melodic
Slow Down Fun house tune, carried by the vocals, but Camo & Krooked's production is nice and funky too Fun
If I Could Nice vocal from Joe Killington, a little repetitive, but reinforced well by impactful DnB production Upbeat
Witchdoctor Strong tribal beat that persists all throughout, pretty repetitive but impactful nonetheless Dark
Good Times Bad Times A fair amount of sub stuck into the liquid DnB drops, and the vocals are good too, along with the house switch at the end Standout
Heat of the Moment Slightly annoying vocal chops, but the vocal itself is good and the oscillating synths and beatwork are neat Melodic
Honesty The repeating vocal is a little irritating but the whole track progresses nicely and is quite full — but a bit boring Emotive
Tagtraum Minimal, naturalistic sound design and a quite organic feel to the production — elegant, but drags out Laid-back
Dissolve Me Funky instrumentation and the vocal is a little quiet in the mix at times, but is polished; drops are a bit too minimal though Emotive
Mandala Fair amount of grit to the first movement backed by a stuttery second movement, and offbeat sound design throughout Standout
Last of the Tribe Some nice progression but it drags on a lot and is pretty repetitive — still, sound design holds up Atmospheric
Passion Vocals kick in quite late so the entire first half feels a bit tired, as does the parts after the vocals anyway Laid-back
The Sloth Clean funky ideas and a lot of character, even if it is rather short — fun tune, good stuff Fun
Black or White Tasha's vocals are great but by this point the minimal DnB production is starting to get quite repetitive Emotive
Come Together Very cool synths and atmosphere, but again, drags on a fair bit — not bad, just not that great Atmospheric
Like I Do Upbeat finisher with hopeful vocals and some nice instrumentation in all the minimal electronic production Upbeat
  1. Good Times Bad Times (85/100)

  2. Broken Pieces w/ NIHILS (84/100)

  3. The Sloth (80/100)

  4. Ember (77/100)

  5. Mandala w/ Mefjus (76/100)

  6. If I Could w/ Joe Killington (71/100)

  7. Witchdoctor (66/100)

  8. Slow Down w/ ROBB (65/100)

  9. Tagtraum (63/100)

  10. Dissolve Me w/ klei (62/100)

  11. Last of the Tribe (59/100)

  12. Like I Do w/ James Hersey (59/100)

  13. Come Together (57/100)

  14. Black or White w/ Tasha Baxter (56/100)

  15. Honesty (53/100)

  16. Heat of the Moment (51/100)

  17. Passion (50/100)