Credit: Chilli Tribe Records
Genre: Neurofunk
In short: "churning meaty neurofunk through some really goofy sampling"
Rating: 80
Cohesiveness: 72
Track quality: 80
Tags:
Beginner-friendly? not really
Venjent's "R U Guna Move" turns an idea into a gimmick, a gimmick into a concept, and a concept into a concept album. Positive vibes only.
In a neurofunk ecosystem that seems insistent on being the most forward-thinking and stern-faced, having the deepest sound design or the darkest bassline movements, Venjent's just here to have some fun. With an array of unorthodox sampling — everything from goats bleating to chairs squeaking, to everything in between — "R U Guna Move" runs rampant through a world of music that isn't unexplored, but has also never been explored with just as much class as Venjent exhibits here. Typically, a 'random sampling' concept would be gimmicky and, quite frankly, insufferable, but the blending of sampling with proper drum n bass production here is genuinely impressive. Venjent blends the quirky (and actually pretty silly) sampling into the production itself, rather than simply besides it, and that's a testament of skill not many producers can achieve. "R U Guna Move" is equal parts ridiculous and genuinely impressive, what with its frog synths and goat sampling and hammers replacing amen breaks, and yet I can assure you with much certainty that this record is still packed with absolute filth. The inherently heavy, bass-slamming elements of neurofunk are not lost on Venjent, and despite commandeering a very unserious approach to the genre, every track on this record still holds up as a neuro banger, and the filth only increases exponentially. Not only does that elevate the record as one of undistilled chaos, but also one of such dynamicism that it can be listened to as anything from a driven project of drum n bass filth to a literal joke. Though the mixes can be questionable at times, everything about "R U Guna Move" is creative — all the drops are distinct; all the songs have their own flair (even outside of the wacky sampling); all the moods capture a spontaneous moment in time backed both by the project's goofiness, and also the weirdly introspective vocals that kick in at times to really give this tracklist a sense of purpose to go with all its other character traits. And truly, when you have a project that has this much character traits — humour, creativity, emotion, power — you have a project that holds, well, immeasurable character.
I'll be the first to admit that "R U Guna Move" really, really did surprise me. But I don't particularly care, because it's a fantastic project, and whilst the whole whimsical gimmickiness can be a little offputting for some, I think it's a particularly refreshing take on the modern drum n bass scene, and it's also just a blast to put on and listen to at any given time.
Name | Comments | Superlative |
---|---|---|
R U Gona Move | The revving motorbike drives (heh) this track along and the vocal samples are almost kind of... catchy? | Intense |
Create Machines | Machinery sampling is always nice, the bitty mix is a bit weird but the whole deep nature of it is pretty sick | Dark |
Wild Like That | Whatever that animal is is doing some real heavy lifting, track rumbles along nicely over the vocals as well | Fun |
Rip It | This one actually rips it straight to jump up heaven and back, mad basslines and hype vocal samples | Heavy |
Laser Grave | Slightly questionable mixing but Venjent rolls this track along nicely, gives it a very full presence in the tracklist | Heavy |
Negroani | Super clean, super deep drum n bass, the vocal sample is kind of catchy as well and everything is just polished | Standout |
Whirlwind | Similar story to the previous but this one goes way way harder — both of these Biometrix collabs are right up my alley | Intense |
Hammer It Home | Love the integration of the vocals and also the integration of the hammer sample replacing the amen break | Standout |
Dey Da Goat | Well, this goat sampling is very on-the-nose and very creative, and it works well with the deep production | Fun |
Exhausted | "This kinda sound bad" — until it gets good, which it does pretty quick, with some great progression | Fun |
Working from Home | This goes way harder than it should, a cathartic and equally chaotic experience loaded with neurofunk | Intense |
Going Nowhere | Rock influences and a very coarse bassline, with more motorbike samples and a shouty vocal sample | Intense |
Your Wipers Are Filthy | Stupid but also insanely deep and insanely heavy, powerful neurofunk stuff with weird Britishisms stuck in there | Heavy |
With The Beat You'll Never Be Alone | Short but has some pretty sick rock influences, the screaming vocal isn't typically my style but works here | Fun |
I Gotta Pray | Liquid influences and some nice basswork to close off this thing, another short track but another quality one |