Credit: Sammy Virji
Genre: UK garage, Grime
In short: "the big guns of garage"
Rating: 70
Cohesiveness: 59
Track quality: 68
Tags:
Beginner-friendly? yes
Sammy Virji's sophomore album walks a heavily-trodden path that blends the UK's rich cultures of garage and grime, but - let's be honest - this style never truly gets old.
The world of UK garage is flourishing right now, at the highest level. And with Sammy Virji being one of the frontrunners of the genre, "Same Day Cleaning" stacks up a rather star-studded cast, with the likes of UK legends Skepta, salute, Flowdan and Unknown T joining the fray. Naturally, as a result, the rhythmic sensibility of this album is off the charts. Sammy Virji's garage doesn't necessarily have any flashy sound design or tension-building songwriting, but the vibes are immaculate and the flows are groovy and the whole album carries its own bounce to it. But I think that's where "Same Day Cleaning" falls a little short, in that it doesn't carry that same punch that other modern UK garage does. Although that leaves one to question: does that put Sammy Virji behind his contemporaries? I dub it a shortcoming of the album, but within the shortcoming lies, arguably, a strength. "Same Day Cleaning" is a little more mature, a little more atmospherically practical, than the dopamine-infused four-on-the-floor beats of today, and it really comes out towards the end of the album on tracks like "I Guess We're Not The Same" or "Leroy St". What's more predominant about this album, though, is the myriad of grime features - but one must note that these remain features. Though it's exceedingly easy for someone like Skepta to take over a track like "Cops & Robbers", Sammy Virji's presence is always noticed, looming over the various rhythms of the various vocalists and MCs like an overseer of quality control. The grime provides the engagement, the forward-facing hooks, but Virji builds the skeleton. And that skeleton is of bouncy, consistent garage, of high-quality sampling and vocal chopping. Perhaps a little too consistent - "Same Day Cleaning" is as clean as the name suggests, but also a little sanitised, and, thus, a little repetitive.
So yes, this record isn't one that knocks your socks off, but it'll inevitably put a spring in your step, whether you like it or not. Such is the nature of UK garage, and it'd be wrong to say that Sammy Virji isn't one of the biggest players in the game for a reason. His sophomore album proves that, I think, sufficiently enough to call this a respectable performance. It's got a little bit of air, a little bit of unfortunate fluff, but, equally, a couple of standout tracks brings "Same Day Cleaning" above many other mainstream albums in the four-on-the-floor (and neighbouring) genres.
Name | Comments | Superlative |
---|---|---|
One For The Books | Trumpeting start that segues into a bouncy garage cut with Giggs' airy grime vocal over it, solid opener | Upbeat |
Doctor | Strong drums and an interesting vocal that unfortunately gets lost in the rest of the track - ultimately a little bland | Upbeat |
Cops & Robbers | Skepta's performance is a little aggressive for the production, but otherwise his flow is on point | Standout |
Up & Down | Super bouncy garage tune, love the groovy bassline and the sampling feels classy and well-done | Fun |
925 | The songwriting is superb and RoRo's vocal adds a golden touch of bounce to the tune that elevates it above your typical garage | Standout |
Dis Badman | Both vocalists do pretty well on the vocal, and the production is neat on paper but a little underwhelming | Intense |
Survive | Repeating sample is a bit annoying, even if the more melody-oriented production is quite nice | Melodic |
Burn The River | Some nice strings and synths here, though I wish they were a bit more present - most of it has nice rhythm, but still | Melodic |
Tremor Take-Two (Interlude) | Nifty little interlude, pretty funny and with some nice instrumentation to back it up - feels unnecessary but, as music, good | Structural |
Match My Mood | The combination of Spice's fun, brash vocal and a precise, clinical performance from Flowdan gives this track a certain edge | Standout |
Roads Roulette | Unknown T's vocal is mostly rhythmic but the chorus is a little monotonous; production holds up | Intense |
Nostalgia | The melody work here is really nice, and blends well with Issey Cross' powerful vocal performance | Melodic |
Dub It In | Pretty sick tune for shock factor alone but the atonal nature of the drops gets a little bit tiring | Switchup |
So Over You | Honestly the sample repeats so much that it becomes the melody, sits somewhere between irritating and earworm | Upbeat |
I Guess We're Not The Same | Dynamic, low garage cut with a softer sample that drives the track, great to have a more low-key cut towards the end | Standout |
Leroy St | Muted future garage cut that works really well with this final section of the album, forlorn and somewhat melancholic | Laid-back |